Elaine Branwell

Fine Enamel Plaques for Jewellery and to Embellish

About the Event
Transparent and translucent enamels, layered and engraved, pure gold and fine-silver foil, are used to produce, "one-off" figurative plaques on hand-raised metal backings for setting in jewellery, box-lids, book-bindings, church plate, etc. Setting undertaken. Selected by Goldsmiths' Hall for exhibition, three years running. Jewellery making tuition provided in Wellington.
Event Type
Exhibition
Disciplines
Ceramics/Glass, Jewellery, Mixed Media
Telephone
01823 666970
Email
info@ebranwellenamels.co.uk
Website
www.ebranwellenamels.co.uk
Opening Times
Fri 7thSat 8thSun 9thMon 10thTue 11thWed 12thThu 13thFri 14thSat 15thSun 16th
closed10am - 6pm10am - 5pm10am - 5pmclosedclosedclosedclosedclosedclosed
Further Info

Essentially, enamel is glass fused to metal.

The colours of the special glass are achieved by the addition of expensive, metallic oxides to the clear, "frit": gold for reds, tin to give opacity. These oxides determine at what temperature the various colours must be fired, and, thus, their sequence of application.

The coloured frit, having been ground in an agate pestle and mortar, under distilled-water, to a fine, sand-like consistency, is rinsed, many times, with more distilled water, for clarity, before its careful application. Once fired, a mistake is there for eternity: enamelling allows the artist no remedy.

I use transparent, and cloudy, "opalescent", enamels, interspersed with hand-beaten, engraved, pure gold and fine-silver foils, between the many, separately-fired layers of enamel. These I fire onto vari-shaped plaques that I have pierced-out and hand-raised from sheet metal, using silver-smithing techniques, with tiny hammers from the 1800s. They may be set as jewellery, on box-lids, in the handles of paper-knives and bookmarks, on napkin rings, in a frame to be hung or stood, in church-plate, or used to embellish a book-binding, etc. Settings are undertaken, to individual requirements, or unset plaques may be purchased in a signed presentation box. My work has been selected for exhibition the three years running before I moved to Somerset, by Goldsmiths' Hall, and is illustrated in books and periodicals.

I teach jewellery-making in Wellington, Somerset.

I am a member of the, "Wellington and Wiveliscombe Guild".